Natalia Muradymova (Natalia Muradymova) |

Natalia Muradymova

Natalya Muradymova is a soloist of the Moscow Academic Musical Theater named after K. S. Stanislavsky and Vl. I. Nemirovich-Danchenko.

She graduated from the Ural Conservatory (2003, class of N. N. Golyshev), and already during her studies she was a soloist of the Yekaterinburg Opera and Ballet Theater, on the stage of which she performed the parts of Iolanta in the opera of the same name, Tatiana in Eugene Onegin, Maria in Mazepa, Pamina in The Magic Flute, Mimi in La Boheme, Michaela in Carmen.

During her studies, she repeatedly became a laureate of vocal competitions: named after M. I. Glinka (1999), named after A. Dvorak in Karlovy Vary (2000), “St. Petersburg” (2003).

Since 2003 she has been a soloist at MAMT, where she has performed as Elisabeth (Tannhäuser), Mimi (La Boheme), Cio-Cio-san (Madama Butterfly), Tosca and Socrates in the operas of the same name, Fiordiligi (Everyone Does It women”), Michaela (“Carmen”), Marcellina (“Fidelio”), Militrisa (“The Tale of Tsar Saltan”), Lisa (“The Queen of Spades”), Tatiana (“Eugene Onegin”), Tamara (“Demon”) , Susanna (“Khovanshchina”), Fata Morgana (“Love for three oranges”). Huge success and the highest praise from music critics was brought to Natalia by the role of Medea in Cherubini’s opera of the same name in 2015 – the singer was awarded the Russian opera award Casta Diva for her.

Natalia Muradymova toured in Italy, the Netherlands, Germany, Estonia, South Korea, and Cyprus. Among the highlights of her creative life – participation in the world premiere of the opera “The Passenger” by Weinberg (Martha); performance in the project “Hvorostovsky and Friends” on the stage of the Great Hall of the Moscow Conservatory. In the spring of 2016, she made her debut as Princess Turandot in the Puccini opera of the same name at the State Opera and Ballet Theater of the Udmurt Republic in Izhevsk. Performs with chamber programs of early music in the projects of organist Anastasia Chertok.

The singer took part in the International Vocal Music Festival Opera Apriori. In the final concert of the II Festival, which was held in the Great Hall of the Conservatory with the participation of the Russian National Orchestra and conductor Alexander Sladkovsky, she performed the parts of five opera heroines of Tchaikovsky – Tatyana from Eugene Onegin, Maria from Mazepa, Oksana from Cherevichek, Ondine and Iolanta from operas of the same name. At the IV Festival she performed as the Virgin and the Princess in Sibelius’s The Maiden in the Tower (Russian premiere) and Rimsky-Korsakov’s Kashchei the Immortal conducted by Olli Mustonen.

Cooperation with Alexander Sladkovsky and the State Symphony Orchestra of the Republic of Tatarstan headed by him continued at the 2015th Concordia International Festival of Contemporary Music in Kazan (14) – the singer performed the soprano part in Shostakovich’s Symphony No. 2017, and a year later she took part in the recording of this work (for the Melodiya “). In June XNUMX, Natalya Muradymova performed at the closing ceremony of the XNUMXth International Rachmaninov Festival “White Lilac” in Kazan.