How to pick up a fight for a song on the guitar. A detailed guide for beginners

How to pick up a fight for a song on the guitar. general information

There are a huge number of selected chords for various songs on the Internet, as well as video lessons on how to play a particular composition. However, every guitarist will sooner or later have a situation where there are chords, but no lessons on how to play this song can be found. It was then that the question arises before him – how to choose a fight for her?

This article is written in order to give a clear guide to the selection of a rhythmic pattern for every aspiring musician. In it you will find step-by-step instructions on how to most effectively match the guitar strike to any of the possible songs.

Why choose a guitar fight?

So, for starters, it’s worth making out how any guitar touch is generally built in each song.

Its main purpose is to create texture and melody of the composition, as well as to emphasize certain moments of the song. First of all, the stroke highlights the strong and weak beats. He does this in several ways:

Showing accents. It usually occurs on a downstroke, which is always slightly stronger than an upstroke. Thus, there is a release of a strong beat, which, as a rule, is also accompanied by a kick of the bass drum in drums for guitar. This creates the dynamics of the composition and builds its groove, and also allows the musicians not to get confused in the bar structure.

Mute strings. This is a more audible example that emphasizes beats in the same way. In addition, muting allows you to create more “air” in the composition, to make the dynamics more pumping and interesting.

In addition, the guitar fight sets the melody of the song. This is even more important than placing accents, because, as a rule, musicians choose a fight for a convenient chord change. That’s why it’s so important to pick a fight as close as possible to what is in the original.

How to choose a fight for a song. Step-by-step instruction

Listening to a song

Before picking up a fight you will need to carefully listen to the song in its entirety several times. Follow the guitar part and try to understand what elements it consists of. Where does the performer hit down or up? Does he mute? It is worth trying to calculate how many strokes he makes on the strings. Listening carefully is one of the key things that will help you in this endeavor.

Determining the size

After the song has been heard to the holes, it’s time to start sizing. Most often, standard four quarters are used in compositions, and you can understand what they are by counting “one-two-three-four”, where one is the first beat of the measure. Usually the bar begins at a chord change, but there are situations when there are several triads inside one square at once. Most likely, a strong share can be determined just by placing accents.

Another size, very often found in compositions, is three-quarters, or the so-called waltz rhythm. It counts as “one-two-three”, with emphasis on “one” and “three”. If you hear something similar in the composition, then try to calculate it like that, and if it fits, then most likely the battle is played in it. In general, an article can seriously ease the task for you. guitar rhythmswhich is available on our website.

Also, if other musicians are playing along with the guitarist, listening to the drum part will help a lot in determining the time signature. They usually emphasize the beat much more explicitly than the guitarist. A strong one is almost always indicated by a kick of the boss barrel. Weak – working drum.

Match selection

Now we move on to understanding how to match a fight to a song. First of all – try to use standard strokes – such as fight six, eight, four, and so on. With a huge degree of probability, you will finish the selection at this stage – because it will fit. Of course, pay attention to the size, and select patterns according to it.

If this method does not fit, then start doing everything gradually, from the simplest patterns. I would recommend starting the rebound in general with a downstroke (down strokes) – this will help you determine the beats of the fight, the accents, and better understand all the details. After you have identified the simplest pattern, listen to the song again. Keep an eye on the guitarist (or other musician who plays the main rhythm part) and try to understand where he plays down and where he plays up. After that, make adjustments to your stroke. Usually, if you do this, then the selection of a battle is greatly simplified.

Finding chips and additional elements

Once you set the foundation, the matter remains small. Listen to the song again and find the place where the part is slightly different from the rest. Pay attention to them. In addition, at this stage you will need to understand where the strings are muffled, and start playing the song as it was played in the original. Of course, there may not be any “chips” and additional elements – then you will finish at the last step.

Original examples of combat with chips and additions

Below are examples of ready-made rhythmic patterns, which are based on the popular four, six, eight fights. You can take some as a base and modify them however you like, or just use them to play around with the songs. All examples are written in 4/4 time signature, so they are suitable for playing many songs.

Example # 1

Example # 2

Example # 3

Example # 4

Example # 5

Conclusion

The most important thing is to listen to the song and slowly work through each element. Do not try to take it with a swoop. Listen carefully to the song and try to understand what is being played in it at the moment. Feel free to start with something simple to further complicate the parts and make them more complex.